14 set Revisiting ELT Mantras #7: ‘Real-world’ activitities
Humans (like all intelligent hunters) seem innately disposed to notice things which move rather than things which stand still.
Don’t move a muscle.
by Chris Isherwood CC-BY-2.0
It is often argued that the English language class should try to emulate the ‘real world’ as much as possible. Tasks and activities should reflect what people do in real life, in order to give learners the tools that they’ll need to use English outside the classroom. While this is no doubt good advice, I believe there is also a valid and useful role for ‘unreal’ activities, too.
It is unarguable that the most prevailing ideology among language teachers round the world is that of The Communicative Approach, which advocates the use of classroom activities with a real communicative purpose (as opposed to simply practising structures for accuracy). In its purest form, this takes the shape of Task Based Learning (TBL), which (in very simplified terms) advocates the use of ‘real life’ tasks with a communicative goal. A typical Task-Based cycle would see language input coming after the task has been carried out, when the teacher has a better idea of exactly what the learners need, and learners are assessed by achievement of the task as opposed to how well they used specific language structures. Tasks may include, for example, choosing the right candidate for a job, planning a holiday, giving a tour, etc. At first glance, and in certain contexts (Business English/ESP perhaps), this sounds like a genuinely useful approach. However, it has it’s problems. Firstly, how do we define a task? Much has been written on this and not everyone agrees on the finer points, but let’s take a look at some dictionary definitions:
A piece of work which must be done as a duty or as part of a regular routine, and which may be difficult or unpleasant.
A specific piece of work required to be done; an unpleasant or difficult job or duty.
A piece of work that must be done, especially one that is difficult or unpleasant or that must be done regularly.
(Longman Dictionary of Contemporary English Online)
Most common collocates for ‘task’ include:
impossible, difficult, mammoth, daunting, endless (COBUILD online sampler)
Looking at TBL in this way, while perhaps useful for learners in certain situations, doesn’t paint a very pretty picture for the classroom. What these definitions suggest is that defining ‘real life’ language use in this way only reflects part of the way we use language outside the classroom – at work. This may, therefore, be very useful for learners who have to use English for very specific tasks at work (attending meetings, negotiating, giving presentations, etc.). But these aren’t the only reasons for learning a language.
In order to gain a fuller understanding of what we mean by ‘real world’ language use, it’s necessary to look beyond just how we use language at work, and a useful way to do this is by looking back at how we learnt our first language. A vast area of language input as children is through the understanding and mutual co-operation found in literature, fairy tales, rhymes, songs, games and rhythmic play. Walk into any primary school and you’ll find colourful books and rhymes which are used to help learn both language and social cooperation. But it doesn’t end there. As adults, we enjoy cinema, books, theatre, songs, etc. – another endless source of rich language.
Not only do we enjoy language in this way, but it is not limited to the confines of our day-to-day working lives. Puns, poetry, TV novellas, jokes, riddles, dueling and advertisements, to name but a few – we are free to escape the jargon of the ‘here and now’, and escape into colourful, language-rich worlds. Surely, then, any analysis of ‘real-world’ language use should include this much larger bank of language: Imaginary worlds and language play.
Another reason for not limiting ourselves to ‘real-world’ contexts in our classrooms is the distinction between language skills and language itself. In pure communicative approaches, we are essentially language trainers, training our learners in the necessary skills they need to ‘survive’ in an English-speaking environment. With language play, we are true teachers, sharing our love of language with learners and providing the scaffolding they need to reach their full potential.
Finally, there is the indisputable fact that language and culture are inevitably intertwined. It is virtually impossible to learn a language without learning its culture. For example, as a learner of Brazilian Portuguese, I found myself learning entire cultural concepts when learning words such as café da manha, cellular, and ótimo (which would sound strange to speakers from Portugal). Indeed, if we look at a very culturally rich area, Brazilian music, there are a whole host of words which reflect Brazilian culture: Samba, Bossa Nova, Forró, etc. By bringing movies, stories, poetry, literature and other imaginary worlds into the classroom, we can exploit this cultural link to language and expose our learners to a rich source of colourful meanings and language. And the resources we can use are virtually limitless.
Once we embrace this wider definition of ‘real-world’ language use, we open up an entirely new world of potential within our classrooms, one that is filled with mystery, wonder and adventure. Stephen Fry (a British comedian) sums this up nicely with this analogy:
Only to a dullard is language a means of communication and nothing more. It would be like saying sex is a means of reproduction and no more and food a means of fuelling and no more. In life you have to explain wine. You have to explain cheese. You have to explain love. You can’t, but you have to try, or if not try you have, surely, to be aware of the astonishing fact of them.
by Visit Finger Lakes CC-BY-2.0
Cook, G. 2000 Language Play, Language Learning OUP
Fry, S. 2008 Don’t Mind your Language https://www.stephenfry.com/2008/11/04/dont-mind-your-language%E2%80%A6/(last viewed on 13/09/14)
Willis, J. 1996 A Framework for Task-Based Learning Longman
An article I wrote for In-English Digital in 2012 has some practical Language Play activities you can use in the classroom.